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ELIAS SIME

Client:

mixed media

Year:

1968 Addis Ababa, Ethiopia

ELIAS SIME
Elias Sime (b.1968 Addis Ababa, Ethiopia) is a multi-disciplinary artist working primarily in relief sculpture and architecture. For more than twenty-five years, the artist has made collage and sculptural assemblage from found objects such as thread, buttons, plastic, animal skins, horn, fabric and bottle tops, alongside organic building materials and binding agents such as mud and straw. Many of the objects come from Mercato, the Addis Ababa open-air market said to be the largest in Africa, and in particular the market’s Menalesh Tera section—literally “what do you have?”—where trash is repurposed in resourceful ways and its new potential is shared among the community.
Sime’s work achieves effects from dense narrative to austere modernist abstraction. The artist resists the collagist’s shorthand of using discarded objects as traces or poetic stand-ins for human feelings or individual lives, favoring instead the idea of what Frieze writer Quinn Latimer has called “the feverish fusion of a multivalent society.” Sime is as interested in a stripped motherboard from a mobile phone as he is an animal skull or worn-out button: the artist looks past the emotional weighting of new versus old, instead finding renewal everywhere, and taking greatest interest in the way that objects and ideas can connect in new ways.
Sime has a masterful handling of material, with fluency and pure formal instincts a hallmark of his practice. In the past decade he has sought to better understand the cultural and historic underpinnings of those instincts, traveling with the anthropologist Meskerem Assegued through rural villages in Ethiopia to research ancient rituals still in practice. Sime collects histories and vernacular techniques as much as objects.
Holland Cotter of The New York Times writes, “Sime’s work, while culturally specific, has always been universalist. And although never without critical thrust — no one knows better the horrors visited on Africa by shipments of toxic Western e-waste — it is utopian.” As an extension of his art-making, Sime is involved in the exploration of vernacular architecture. Working with his longtime collaborator, Assegued, Sime

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